Redazionali

How the Auditorium Parco della Musica “Ennio Morricone” in Rome renewed the lighting rig of its Santa Cecilia, Sinopoli and Petrassi halls and the Teatro Studio Borgna with…

MVR, GDTF and modern previz let you arrive on site with 90% of the show already programmed at home. A look at why that workflow is as useful…

On the way to MIR 2026, an exclusive interview with Giulio Morsellino, CEO of ZZIPP Group, on how the company grew from a Monacor Italia agency into one…

Coldplay’s kinetic floors and Massive Attack’s train tours make great headlines. How much of the stadium-scale green touring model can really be replicated in Italian clubs, arenas and…

A tour of the most reliable iOS and Android apps for lighting designers and technicians: Art-Net testing, photometric calculations, colour filter matching and remote console control during focus.

A short reflection on AI for the people who pull cables and programme consoles, not as an artistic tool but as an honest consultant that saves a lot…

Behind the scenes of the Modà “La notte dei romantici” tour, which opened in Padova: seven trucks of production, the site coordination, front-of-house and monitor choices and the…

Stage lighting technology, LED walls and previz have reached impressive levels. Is storytelling still the lighting designer’s priority, or has technology taken over? A few thoughts out loud…

Kappa FuturFestival 2025 in Turin: six stages and about 120,000 people. An Italian example of an impressive production machine and of the challenges behind it, technical and logistical.

Is a truss just a truss? A visit to TAF – Truss Aluminium Factory in Olomouc, Czech Republic, a highly technological company with a business model far from…