Redazionali

Covid-19: moods, hopes, workarounds and positive messages from Italian manufacturers and distributors during the emergency.

Renato Zero’s “Zero il Folle” tour in Bologna: drapes, curtains and three suspended masks that seem to change expression with every light.

K-array at Teatro alla Scala in Milan: a discreet, high-quality and entirely Made in Italy sound system in one of the most important theatres in the world.

Eurovision Song Contest 2019, the interviews: lighting designer Ronen Najar, main console programmer Angelo Di Nella and Edoardo Michelori of Agorà on the audio at Expo Tel Aviv.

Eurovision Song Contest 2019 in Tel Aviv: back as a correspondent after Stockholm 2016, and still amazed by an event that can move you like the first time.

Negramaro’s “Amore che torni” arena tour: twenty dates in a month, and a band that raises the bar after the accident of guitarist Lele Spedicato.

Claudio Baglioni’s “50 anni al centro” tour, lighting and video: Carlo Pastore and Fabio Ciccone on the creative process and the complexity of a stage in the round.

Caparezza’s Prisoner Tour, part 2: production and visuals. Timecode, LED walls and set innovations from a crew that has followed the artist for over ten years.

Giudizio Universale special, video and lighting: Panasonic projections and lighting that take the audience from St Peter’s Square to inside the Sistine Chapel.

Negramaro’s “Amore che torni” stadium tour 2018 at San Siro, lighting and video: lighting designer Jordan Babev, with Agorà, PRG and STS Video under Live Nation Italia.